William Kentridge

Time Out

Select Bibliography

2004

Chronological order

Michael Godby, Robert Hodgins, William Kentridge and Deborah Bell: Hogarth in Johannesburg, Witwatersrand University Press, Johannesburg, 1990

Michael Godby, ‘William Kentridge: Four Animated Films’, in William Kentridge: Drawings for Projection, Goodman Gallery, Johannesburg, 1992 (catalogue)

4th International Biennale of Istanbul, The Istanbul Foundation for Culture and Arts, 1995 (catalogue)

Sue Williamson, Ashraf Jamal, Art in South Africa: The Future Present,
David Philip, Cape Town/Johannesburg, 1996

Delta, ARC Musée d’Art Moderne de la Ville de Paris, Paris, 1997 (catalogue)

Catherine David and Jean-François Chevrier, Politics –Poetics documenta X the book, Museum Fredericianum, Kassel, Cantz Verlag, Ostfildern-Ruit, 1997 (catalogue)

Rory Doepel, Ubu ±101: William Kentridge, Robert Hodgins, Deborah Bell, Observatory Museum, Standard Bank National Festival of the Arts, Grahamstown, 1997 (catalogue)

Jurassic Technologies Revenant, 10th Sydney Biennale 1997, Art Gallery of New South Wales, Artspace, Ivan Dougherty Gallery, 1997 (catalogue)

Sexta Bienal de Habana: el individuo y su memoria, Centro Wilfredo Lam, Havana, 1997 (catalogue)

Truce: Echoes of Art in an Age of Endless Conclusions, Site Santa Fé, New Mexico, 1997 (catalogue)

Michael Godby, ‘William Kentridge’s History of the Main Complaint: Narrative, Memory, Truth’, in Sarah Nuttal and Carli Coetzee, Negotiating the Past: the Making of Memory in South Africa, Oxford University Press, Cape Town, 1998

Carolyn Christov-Bakargiev, William Kentridge, Palais des Beaux-Arts de Bruxelles, Brussels, 1998 (catalogue)

William Kentridge, interactive CD-Rom, edited by David Krut, Johannesburg, January 1998

Carolyn Christov-Bakargiev, Dan Cameron, J. M. Coetzee, William Kentridge, Phaidon Press, London, 1999

William Kentridge: Drawing the Passing, documentary video, created by Reinhard Wulf / Maria-Anna Tappeiner, Westdeutscher Rundfunk, Cologne, 1999 (English and German versions)

Okwui Enwezor, ‘Truth and Responsibility: A Conversation with William Kentridge’, in Parkett, no. 54, 1998/99

Leah Ollman, ‘William Kentridge: Ghosts and Erasures’, in Art in America, January 1999

Barry Schwabsky, ‘Drawing in Time: Reflections on Animation by Artists’, in Art on Paper, March/April 2000

Rosalind Krauss, ‘ “The Rock”: William Kentridge’s Drawings for Projection’, in October, no. 92, Spring 2000

Gespleten Wereld, documentary video, directed by Jos van den Bergh, produced by Rubsaam & zo. for Bonanza, VPRO television, Rotterdam, 2001 (English and Dutch versions)

Neal Benezra, Staci Boris, Dan Cameron, Lynne Cooke, Ari Sitas, William Kentridge, Museum of Contemporary Art Chicago; New Museum of Contemporary Art, New York; Harry N. Abrams, Inc., New York, 2001 (catalogue)

Athur C. Danto, ‘Drawing for Projection’, in The Nation, July 16th 2001, New York, pp.43-45

Tom Gunning, Susan Stewart, Roselee Goldberg, ‘William Kentridge’, in Parkett, no. 63, December 2001, Zurich, pp.64 –104

Carolyn Christov-Bakargiev (ed.), Jane Taylor, William Kentridge, Castello di Rivoli, Museo d’Arte Contemporanea, Rivoli-Turin; Skira Editore, Milan, 2004 (catalogue)

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