ShadeDays

Mud Covered Eyes

Hair Knots

Savage Spirit

Phnom Penh the city of Penh

Dreaming of Journies

Badad

Changers & Junctions Impression of Journey in Space

Rambler

In Between

Empty Spaces

Public Space

Mother Tongue

Hanibulizim

Three Faces

Coming of Age

Babel Gama

After

2005
`After` / ‘Fear Not’ A processed Photograph exhibition’ 2005. Petchn Tikva Museum. curator: Hadas Maor
Tal Shoshan, After, 2005, ink-jet print on canvas, 135X195 cm., Petach Tikva Museum

`After` / ‘Fear Not’
A processed Photograph

exhibition’ 2005.
Petchn Tikva Museum.
curator: Hadas Maor

 

Technique: ink printing of self photography, tracing the outline of the printed image with pastels. then reprint the body image on Canvas.
Size: 135/195

 

from the exhibition catalog; text by Hadas Maor: “Tal Shoshan’s work confronts those exiting the museum, dominating the entrance unto the exhibition spaces in reverse, as it were. The figure featured the work looks straight into the center of the space, towards the viewer, its hand slightly extended, open and stretched out, as if signaling something to those wishing to enter ore exit the exhibition space. The hand’s position is analogous to what is habitually perceived in western cultures as a ‘stop’ sign, characterizing the figure as one striving to preserve the space of this private body. Or even to prevent visitors from entering the exhibition space or leaving its bounds. In Far Eastern culture, the hand’s posture signifies a ‘mudra’ (Buddhist gesture) meaning ‘ Fear Not’, hence it signals to the potential viewer something diametrically opposed to the meaning of the sigh in the western culture. At the very entrance to the exhibition the viewer is thus faced with a sign which is not subsequent mental and emotional progression.
Beyond the ambiguity of the image as a lingual sign, the work also contains several layers and ambiguities in terms of structure and essence.

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